Owen, ‘The Craft of Guillaume Le Clerc’s Fergus’, sopra The Craft of Sceneggiato: Essays durante Medieval Poetics, e
Closing is in nessun caso less intertextual, both mediante its assurances of the lovers’ perfect union and con the insistence on textual boundaries: Sires et rois est apieles Et ele apielee roine
and London, 1989), pp. 20–50 (‘Fergus: the Courtois Vilain’); D. D. R. L. A. Arrathoon (Rochester, MI, 1984), pp. 47–81, and ‘The Craft of Fergus: Supplementary Notes’, French Studies Bulletin 25 (1987–88), 1–5 (on Guillaume’s debt sicuro the Perceval Continuations). It is astonishing that it receives so little mention, as far as one can tell con the absence of an index, per The Legacy of Chretien de Troyes, e. N. J. Lacy et al., 2 vols. (Amsterdam, ). There is verso reference mediante I, 145. Marquardt, Der Einfluss Kristians von Troyes auf den Roman ‘Fergus’ des Guillaume Le Clerc (Gottingen, 1906). The nearest parallel is Huon de Mery’s Tournoiement Antechrist. Here too the essential borrowings from Chretien had been recognized durante an early German dissertation (by Max Grebel, Leipzig, 1883), but have only quite recently been examined for the artistry with which they have been recycled: see K. Busby, ‘Plagiarism and Poetry sopra the Tournoiement Antechrist of Huon de Mery’, Neuphilologische Mitteilungen 84 (1983), 505–21. For the distinction of the terms parody, pastiche and burlesque, which Owen tends esatto use interchangeably, see T. Hunt, ‘La Parodie medievale: le cas d’Aucassin et Nicolette’, Romania 100 (1979), 341–81 (pp. 347–50). Συνέχεια ανάγνωσης Owen, ‘The Craft of Guillaume Le Clerc’s Fergus’, sopra The Craft of Sceneggiato: Essays durante Medieval Poetics, e →